-------------------------------------------------------------------------------------------------

| Tab Definitions:										  |

|    A: x02220											  |

|   A7: x02223											  |

|    E: 022100											  |

|   E7: 022130											  |

|    D: xx0232											  |

|Dsus4: xx0233											  |

| E/F#: 222100											  |

|    p: Pull off of note									  |

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Additional live lyrics are included at the bottom.



INTRO, take 1:

Rhythm:	1  2  3  +  4  1  +

Chords:	A        A7    E  E7



INTRO, take 2:

Rhythm:	1  2  3  +  4  1  +  2  3  4  +     1  2  3  4  1

Chords:	A        A7    E  E7    D     Dsus4 D     A     E



RIFF:

e|----------------------

B|----------------------

G|---------2p0----------

D|-------------2p0------

A|-------0---------3-0--

E|-0-2-4----------------



VERSE 1:

A               E    E7 E D

Good Lord, good Lord,     send me an angel down

      A               E                E/F#    A     RIFF

Can't spare no angel, we'll send you a teasin' brown

A                     E      E7 E D

Well, that new way of loving,     swear to God, it must be best

          A                   E       E/F#       A    RIFF

For these Detroit women won't let Mr. Jack White rest



VERSE 2:

                 A7

There was a crowd on the corner, wonder what could it be

Wasn't a thing, but the womens is tryin' to get to me

           A7

I went down to the station, suitcase in my hand

All the women run cryin', "Mr. Jack, won't you be my man?"



VERSE 3:

               A7

Well, there was three women: yellow, brown and black

Take the mayor of Detroit to pick which one I like

          A7

One of 'em Hamtramck` yellow, one of 'em Detroit brown                       `A Detroit suburb pronounced "Ham-trah-mack" 

But the Southwest darkskin sure to turn my damper down



VERSE 4:

"Why, ticket agent, ticket agent, where did my baby go?"

"Tell me what she looks like, I'll tell you what road she's on"

"Well, she's a long tall mama, mile an' a half from the ground

She's a tailor-made mama, and she ain't no hand-me-down"



VERSE 5:

Well, I used to say married women, sweetest women ever born

You better change that thing, you better leave married women alone

Take my advice: let married women, boy, let 'em be

'Cause their husband'll grab ya, beat you ragged as a cedar tree



VERSE 6:

I got two women, you can't tell 'em apart

I got one in my bosom, and the other one is in my heart

              A7

Well, that one in my bosom, she lives in Tenessee

But that one in my heart, well, she don't give a darn for me



VERSE 7:

I'm gonna tell you, pretty mama, exactly who I am

When I walk in that front door, and hear that back door slam

A



ADDITIONAL VERSES SUNG LIVE (also Blind Willie's):



Well, I used to say married women, sweetest women ever born

You better change that thing, you better leave married women alone

They tell you that they love you, they love you their whole life

Grab a man on the corner and they'll tell that same lie twice



I can't be trusted, I can't be satisfied

I walk down the street, men be pinnin' women to their side

My baby's got a mojo, she's trying to keep it hid

But Jack White's got something to find that mojo with



My mother used to tell me when I was boy playing mumbleypeg`                `A game played by flipping or stabbing

Don't drink no black cow's milk and don't eat no black hen's eggs            a jackknife between fingers          

A black man will give you a dollar, and he won't think it's nothing strange

A white man give you a dollar, he'll take back ninety-five cents change